I grew up in Cabri, Saskatchewan. A community in southwestern Saskatchewan, so small some said the trains didn’t stop there, only slowed down.
Like most prairie kids, I lived hockey, curling and the Saskatchewan Roughriders. Fishing and hunting were on the top of the list too. But unlike many Canadian kids I was fortunate enough to play in a real brass band. The Cabri Brass Band. Formed in 1917 and disbanded in 2007.
You won’t find much information on this rather iconic band if you google it. In 1967, it was one of the few true brass bands in Canada. None of those reedy-sounding clarinets or squawky saxophones. Flutes? Are you kidding. Only brass instruments and drums. Majorettes, marching and lots of parades.
I was about ten years old when I started in the band. I played the trombone. Or should I say, blew into it and occasionally the right notes came out.
The year 1967 was an important year for Canada and for the Cabri Brass Band. The band turned fifty years old and Canada one-hundred. It was time to celebrate. In style. Like never before. We needed something special for this occasion.
And that something special turned out to be none other than Canada’s Pied Piper, Bobby Gimby. Author and arranger of the famous Canada Song. He was invited to come to Cabri, Saskatchewan to play his song with the Cabri Brass Band that started his career many years earlier. And rumor had it we might get to play with him.
Bobby Gimby
Born on October 25, 1918 in Cabri, Saskatchewan, Bobby Gimby went on to become a successful professional musician and songwriter in Eastern Canada. But deep down Bobby was a prairie boy. Honest, humble and pretty down to earth.
A story in the Cabri Herald described the Gimby family as very talented musicians. Bobby in particular. Bobby joined the Cabri Brass Band at age ten and played until 1935 when the family moved to Chilliwack, British Columbia. As his neighbor Harvey Peacock recalls, Bobby honed his skills with his trumpet often practicing in his back yard. Why the back yard? Harvey thought because his mom threw him out of the house whenever he practiced.
“His big break came in 1941 when he joined Mart Kenney and His Western Gentlemen as lead trumpeter and toured the country. That was followed in 1945 by a starring role in CBC radio’s “Happy Gang,” a gig that lasted through the 1950s. He capped the decade as musical director for the popular “Juliette” show on CBC television.” (from the Saskatoon StarPhoenix, July 4, 2017 )
Bobby was asked to write a song for Canada’s centennial. And boy did he deliver. “I was terribly worried, because I knew the government was taking a gamble by going into show business,” Gimby recalls. “But after we’d marched in the rain to the train and given our performance, I saw a little old lady wiping tears from her eyes and she was saying, ‘I’m so proud to be a Canadian.’ I thought to myself, ‘Holy cow! We’ve scored a bull’s-eye.” http://expo67.ncf.ca/expo_gimby.html
“I’ve never seen anything like it during my 20 years in the Canadian music publishing business,” says Thompson president John Bird. “Three-year-old kids are dancing to it. High school swimming classes want to swim to it. Bike riders want to cycle to it, and drum corps want arrangements so they can beat a tattoo to it. By the end of 1967, I predict every school choir, every school band, every family with a piano in the parlor, will be playing it.” http://expo67.ncf.ca/expo_gimby.html
Bobby Gimby Comes Home
The question was, if invited, would he come? Fortunately he still had many friends and acquaintances in Cabri, including our then band leader, Albert (Bert) Culham.
But Bobby didn’t forget his Saskatchewan roots. In March, 1967 he returned to Cabri to play with the Cabri Brass Band. He also marched with us at the Moose Jaw Kinsman Band Festival. Band majorette, Nancy Scott, recalls that Bobby, when offered a car to ride in for the parade, refused, marched and played with us instead.
Bobby wasn’t just an excellent musician, he was a superb entertainer. That infectious smile never left his face. He was a natural with those kids.
The one thing I remember about him, when he played he was having a good time. He marched proudly with us, his old brass band, as we wound our way around the streets of Cabri and in the Moose Jaw Band Festival parade. I played that Canada song so many times that day, my lips turned purple and numb.
Bobby said he was thrilled at how he was received in Cabri. The people of Cabri, “…spread the red carpet for me down on the gumbo mud and – oh, boy! – actually presented me with the key to the city.” http://expo67.ncf.ca/expo_gimby.html
In 1967, in recognition for his work for Canada’s centennial, Bobby Gimby was made an Officer of the Order of Canada, and was named Broadcaster of the Year. In 1968, he was awarded two Lloyd E. Moffat Memorial Awards, for Best Middle-of-the-Road Record and Best Example of Canadian Originality and Creativity.
Bobby left us on June 20th, 1998, at age 79.
Here’s to you Bobby, and your great legacy. And personally, I’ve had some wonderful Canadian moments. Few surpass those few days playing with the Cabri Brass Band, and Canada’s Pied Piper, Bobby Gimby.
EndNote
It’s been over fifty years ago since we marched and played with Bobby Gimby. As someone interested in how our collective histories are passed on, this story was a bit of an eyeopener. I asked over half-dozen people, who experienced those few days with Bobby, to give me a few of their personal thoughts on the event. Only one person recalled some personal stuff not written in the newspapers. The rest of us, myself included, had trouble recalling some of our own experiences with this man. Without a strong oral history, if not written down during the moment, it’s hard to reconstruct the smaller aspects of that time.